
Almost Like You Could
Almost Like You Could ignites its art punk fire with Lucy Alexander proclaiming, âEveryone wants something to talk about / But not a minute to spare, so be brief.â Not surprising from a song thatâs 1:54 (âHigherâ), but the raw honesty in her lyrics ring far after the music ends. Alexander, along with bandmate Luke Cartledge, place the propulsive power of their beliefs at the core of their debut full-length album, and their guiding motivation towards social justice is as fierce as it is welcoming.
âLiving as part of the queer community, and being queer myself, leads me towards supporting every personâs truth,â Alexander says. Scroungeâs songs skip to a fast beat, electrifying the entire album with a sense of empowerment. Their approach is OG punk: they make music for their peers and themselves. Only now, with a world of connections possible, theyâre able to open arms wide for a far-reaching embrace. Alexanderâs rich vocals give their sound its central force, anchoring the songs with confessional lines (âIf this is the pinnacle, then I need a miracle/ Cause everyoneâs laughing at me,â âThereâs not much left/ this corpse I have to keep/ Above board.â). They sing about economic inequality, political corruption, environmental destruction, and collective change. âWeâre inspired by those around us, and we write about what we care about. Art has always existed for us as a means of catharsis, a way of expressing something we might not be able to otherwise, and we hope our music can be that for other people too,â says Alexander.
âI think Iâve actually written a filthy banger,â she states while re-listening to âBuzz/Cutâ, a grunge-honoring hammer of a song that takes a journey from disappointment, to self-realization, to release. Alexander and Cartledgeâs gratification in making an album theyâre proud of mirrors the empowerment conveyed in their lyrics.
A follow-up to debut mini-album Sugar, Daddy (Fierce Panda, 2022), Almost Like You Could came together over 18 months, in between âteaching, touring, graduation, and a weddingâ, as Lucy explains, for the band always has a handful of shows coming up. Itâs a strange outcome for a duo who first bonded over their mutual love of SOPHIE. âShe radicalized the structure of sound, and revealed herself through it,â Cartledge explains. âThat was a massive inspiration when we started playing together, stripping everything away to open up new possibilities as artists and as people."
Having already toured Europe and the States, Scrounge is preparing to be on the road throughout 2025. In a world where the idea of true community is ephemeral, Lucy and Luke seek to foster it everywhere they play. And their belief in change is ultimately buoyed by hope. âI know that itâs never been this good,â they sing.
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Almost Like You Could
Almost Like You Could ignites its art punk fire with Lucy Alexander proclaiming, âEveryone wants something to talk about / But not a minute to spare, so be brief.â Not surprising from a song thatâs 1:54 (âHigherâ), but the raw honesty in her lyrics ring far after the music ends. Alexander, along with bandmate Luke Cartledge, place the propulsive power of their beliefs at the core of their debut full-length album, and their guiding motivation towards social justice is as fierce as it is welcoming.
âLiving as part of the queer community, and being queer myself, leads me towards supporting every personâs truth,â Alexander says. Scroungeâs songs skip to a fast beat, electrifying the entire album with a sense of empowerment. Their approach is OG punk: they make music for their peers and themselves. Only now, with a world of connections possible, theyâre able to open arms wide for a far-reaching embrace. Alexanderâs rich vocals give their sound its central force, anchoring the songs with confessional lines (âIf this is the pinnacle, then I need a miracle/ Cause everyoneâs laughing at me,â âThereâs not much left/ this corpse I have to keep/ Above board.â). They sing about economic inequality, political corruption, environmental destruction, and collective change. âWeâre inspired by those around us, and we write about what we care about. Art has always existed for us as a means of catharsis, a way of expressing something we might not be able to otherwise, and we hope our music can be that for other people too,â says Alexander.
âI think Iâve actually written a filthy banger,â she states while re-listening to âBuzz/Cutâ, a grunge-honoring hammer of a song that takes a journey from disappointment, to self-realization, to release. Alexander and Cartledgeâs gratification in making an album theyâre proud of mirrors the empowerment conveyed in their lyrics.
A follow-up to debut mini-album Sugar, Daddy (Fierce Panda, 2022), Almost Like You Could came together over 18 months, in between âteaching, touring, graduation, and a weddingâ, as Lucy explains, for the band always has a handful of shows coming up. Itâs a strange outcome for a duo who first bonded over their mutual love of SOPHIE. âShe radicalized the structure of sound, and revealed herself through it,â Cartledge explains. âThat was a massive inspiration when we started playing together, stripping everything away to open up new possibilities as artists and as people."
Having already toured Europe and the States, Scrounge is preparing to be on the road throughout 2025. In a world where the idea of true community is ephemeral, Lucy and Luke seek to foster it everywhere they play. And their belief in change is ultimately buoyed by hope. âI know that itâs never been this good,â they sing.
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Almost Like You Could ignites its art punk fire with Lucy Alexander proclaiming, âEveryone wants something to talk about / But not a minute to spare, so be brief.â Not surprising from a song thatâs 1:54 (âHigherâ), but the raw honesty in her lyrics ring far after the music ends. Alexander, along with bandmate Luke Cartledge, place the propulsive power of their beliefs at the core of their debut full-length album, and their guiding motivation towards social justice is as fierce as it is welcoming.
âLiving as part of the queer community, and being queer myself, leads me towards supporting every personâs truth,â Alexander says. Scroungeâs songs skip to a fast beat, electrifying the entire album with a sense of empowerment. Their approach is OG punk: they make music for their peers and themselves. Only now, with a world of connections possible, theyâre able to open arms wide for a far-reaching embrace. Alexanderâs rich vocals give their sound its central force, anchoring the songs with confessional lines (âIf this is the pinnacle, then I need a miracle/ Cause everyoneâs laughing at me,â âThereâs not much left/ this corpse I have to keep/ Above board.â). They sing about economic inequality, political corruption, environmental destruction, and collective change. âWeâre inspired by those around us, and we write about what we care about. Art has always existed for us as a means of catharsis, a way of expressing something we might not be able to otherwise, and we hope our music can be that for other people too,â says Alexander.
âI think Iâve actually written a filthy banger,â she states while re-listening to âBuzz/Cutâ, a grunge-honoring hammer of a song that takes a journey from disappointment, to self-realization, to release. Alexander and Cartledgeâs gratification in making an album theyâre proud of mirrors the empowerment conveyed in their lyrics.
A follow-up to debut mini-album Sugar, Daddy (Fierce Panda, 2022), Almost Like You Could came together over 18 months, in between âteaching, touring, graduation, and a weddingâ, as Lucy explains, for the band always has a handful of shows coming up. Itâs a strange outcome for a duo who first bonded over their mutual love of SOPHIE. âShe radicalized the structure of sound, and revealed herself through it,â Cartledge explains. âThat was a massive inspiration when we started playing together, stripping everything away to open up new possibilities as artists and as people."
Having already toured Europe and the States, Scrounge is preparing to be on the road throughout 2025. In a world where the idea of true community is ephemeral, Lucy and Luke seek to foster it everywhere they play. And their belief in change is ultimately buoyed by hope. âI know that itâs never been this good,â they sing.











